I don’t know why I decided to build these particular speakers that found their way to the public on the pages of Hobby HiFi magazine. It was maybe the unusual concept that caught my attention on the first place – two-way construction combining long-excursion 4.5″ subwoofer unit with a 3″ dome twitter in a rather compact but extremely sturdy enclosure.
I’m gonna wrap up my thoughts and impressions of AMR DP-777 D/A converter that together with SoTM sMS-200 network player comprise the main source link of my audio chain, guys. As you might know, SoTM sMS-200 transports raw digital data through USB interface to AMR DP-777 that converts it to analog signal feeding the amplifier, so my observations are based entirely on AMR’s USB asynchronous digital input that is only one of the five connectivity options this device has to offer. Other digital sources I use along with this front-end are my Panasonic TV and the portable Sony NWZ-A15 music player.
March is slowly approaching its end, and this reminds me that for quite some time I haven’t written anything in this blog. The reason is simple, not much is happening here, though some interesting bits are circulating in my emails to Biju and Peter recently. I find writing to a real person safer and easier than to an abstract audience. Writing for the general public is like wielding a two-edged sword – you never know how the effect of your writing will reflect on you. Email communication is enjoyable, but it is a private thing, and there is not much left for you, dear reader.
I have to confess I was growing impatient lately, counting the days left until the opening of the main audio event in northern Germany – Norddeutsche HiFi-Tage. The fact that the city I live in hosts the second biggest audio show in Germany makes me feel lucky, because it is great opportunity, that costs basically nothing, to align one’s expectations and internal reference to what is considered top-notch in terms of audio reproduction nowadays.
Recently my attention is being focused more on the artistic interpretation than on the reproduction quality. I think this is a good sign. The decisions when to hit the string and how long to let the tone ring, as well as how intense each stroke should be are aural expression of the artist’s interpretation of the music at the moment of transferring an idea into a sound. As an amateur guitarist I’ve been confronted with that matter throughout my own experience and I realize that even a simple three-chord progression might be performed in many different ways by slightly varying the timing and the intensity of the strokes.